Pain, Regret, and Blood: A Journey in Infertility

Today’s blog post is from J. Clyde Wills. He recently visited our exhibit, “Reflections of Reproductive Loss & Access to Care,” at University of Wisconsin, Oshkosh and contacted us afterward to share some of his story with us.

While infertility affects men and women equally, we don’t as often hear the perspectives of men dealing with an infertility diagnosis. Our mission is to share stories, especially under-represented stories, through the creative expression of art and writing, making infertility visible. That’s why we invited J. Clyde to share his story with you today. It’s also why we feel it’s important to incorporate specific programming around men’s stories, and the ways that infertility impacts men’s health, during Men’s Health Month each June.

This year, we’re again partnering wiith Dr. Paul Turek of The Turek Clinics to present an art exhibit and programming in Los Angeles from June 9 – 30. We hope you’ll check out our event landing page for initial information on “Reimagining Reproduction: The ART of Infertility in Los Angeles” and submit your artwork for consideration via our call for art.

We will have a special focus on highlighting the artwork and stories of men, as well as single parents by choice, those in the LGBTQ+ community, and other under-represented individuals and groups who are dealing with infertility or must use assisted reproductive technologies to help them build their families.

These perspectives are so valuable. Thanks, J. Clyde Wills, for sharing yours with us today!

Pain, Regret, and Blood: A Journey in Infertility

By J. Clyde Wills

I can’t talk about it without crying: IUI, IVF and five failed adoptions. We were trying egg donation before our marriage fell apart. I suppose I am still crying.

Kate* and I started the old fashioned way, which is what all newly married couples do whether they want babies or not. But we did. No one told me making babies would be so hard. In fact, high school health class taught me the opposite. When I was younger I never considered not using protection because even a romantic gesture could cause pregnancy.

Our first stop in fertility was at the Yale Fertility Center. We were told was one of the best fertility centers in the country. The first round of IUI, intrauterine insemination, yielded no results, so we tried IVF for the next round. Insurance only covered the first one so this round of in vitro fertilization was on us. During the whole process my role felt so secondary. It was my job to go into a little room at the doctor’s office containing the most regressive pornography I had ever seen, make my contribution into a sterilized container, and then get out of the way. After that it was my job to administer the shots.

I felt so helpless. I wanted to do more but there was nothing else I could do but give support and love. So I did that. Truthfully Kate was strong enough to give herself the shots.

Our hopes soared as Kate’s blood tests came back positive. The news that we were pregnant was intoxicating which made Kate’s daily regimen of shots easier to bear. Everyday I administered injections into her tummy but the discomfort became worth it. We were having a baby.

Our hopes changed the day Kate received her first ultrasound. The doctor passed the wand over her uterus but there was nothing. It was not just that there was no heartbeat but nothing at all. Hormones levels clearly read pregnancy but her uterus was empty. The pregnancy was ectopic and needed to be ended. After months of injections Kate now had to be treated with methotrexate, a drug normally used in chemotherapy, to end the pregnancy we had dreamed of.

We took a long break after that. Ending the pregnancy was too devastating. So we decided to try adoption. I wish someone had told the cruel reality of domestic adoption. I don’t know what I was expecting but I wasn’t expecting this. We chose Lutheran Social Ministries as our agency. I was making a career as a Lutheran minister so it made sense to us. The first two adoptions failed quickly. Our agency connected us to birth mothers and after the emotional journey of meeting them and filling out forms the birth mothers chose another couple. That is how the system works. Potential adoptive parents must woo and court birth mothers who have the option to accept or reject and can always later change their minds.

Then we got the call. A woman was giving birth on the other side of the state. She was choosing an adoption plan for her baby so I left work and we drove to the hospital stopping at Baby’s R’ Us along the way to fill the car with everything we needed. After a long day we came home with Jacob whom we named after my father. For five days it was the kind of bliss that comes with being a new parent. We lived in 24-hour shifts as we fed him, changed him and loved him. This is where I start crying.

Photo by Aditya Romansa

After the fifth day we got the call. Jacob’s birth mother had changed her mind and a social worker would be coming to our house to take him away. That is also how the system works. Until she signs the surrender documents a birth mother has 90 days to have a change of heart. We would later learn that birth mom had used the adoption process to manipulate her own parents into keeping the baby. Giving Jacob away on that day may have been the worst day of my life. It felt no less like a piece of me had been amputated.

After Jacob, Kate and I took matters into our own hands, abandoned Lutheran Social Ministries and pursued private adoption. There is a whole cottage industry of adoption attorneys and we found one in Jacksonville, FL. It is more expensive but the success rate is higher. This is when we met Andrea.

Andrea already had five successful pregnancies. Her first child was adopted by her brother and her other four babies were adopted by couples like us. This was number six. Andrea denied that she was selling her babies to fund her addiction to crack cocaine. But we didn’t care. We just wanted a child. After months of regular visits to Florida and writing lots of checks Andrea disappeared. She went off the radar for a long time with no one, including her family and the attorney, having any idea where she was.

Andrea re-emerged when it was time to give birth and informed us she was keeping the baby. It was her right. Kate and I had no claim to the child, even after it was admitted that Andrea never had any intention of giving up her child and only wanted someone to pay her bills while she was pregnant. The sad part is Andrea did not get to keep her daughter either. Because of her continued abuse of drugs Andrea’s little girl was placed with a family member. Kate and I were never considered.

One more failed adoption after that and Kate and I quit the adoption game for good. We decided to try egg donation. The process is much the same as IUI and IVF with it’s many visits to doctors and shots in the tummy with hormones. The only difference is the egg is donated through any one of a variety of organizations. We scrolled through profiles like it was an online dating site until we found a match that made sense with a price we could handle. A suitable donor was selected but before the process could start our marriage disintegrated.

The end of our marriage is its own tragedy. It could be best equated to a scene from the 1973 film the Long Goodbye where, in order to intimidate his enemies, a gangster smashes a Coke bottle across his own lover’s face right after saying to her, “You are the single most important person in my life.” In truth there was never any violence in our marriage but the end was no less painful. I died that day.

I look at The ART of Infertility exhibit and see my life unfolding before me. I see the many sculptures built from fertility medications and remember every puncture into Kate’s smooth, soft skin. The crib containing $12,000 of medications is specifically heartbreaking. I recognize all of them because it was the contents of our pantry for years. It also reminded me of the crib and stroller that collected dust in a room that was never used. I still have a red biohazard container holding an entire regimen of soiled needles. I should have gotten rid of it years ago but haven’t done it. It is a visceral reminder represented in pain, regret and blood. I can’t let it go.

There is no trace of kumbaya in this story. Not everyone gets a happy ending. Not everyone gets a child or a family, regardless of effort or money spent. Not all dreams come true.

But I won’t allow my story to end this way. It’s not fair to me or to you. I find healing seeing this story expressed through art. Their story is my story and it comforts me. It also reminds me that in grief it is healthy to give my soul a voice and the permission for it to cry and sing. As loss is released, my burdens grow wings and fly away leaving me on earth clutching tightly onto the last of joy. If I am allowed one last prayer it is to see that joy blossom into redemption.

*Names have been changed to protect privacy.

Healing your HeA.R.T through Art

by Maya Grobel

Several years ago, Elizabeth Walker  (founder and co-director of The ART of Infertility) came to my house to interview my husband Noah and me for a project she was working on. After four plus years of a tumultuous journey to parenthood that involved every possible assisted reproductive technology in the book (clomid, laparoscopic surgery, IUIs, IVF, IVF with donor eggs), we were tentatively pregnant with a donated embryo that (thankfully) resulted in our daughter.

At the time, Noah and I were working on a project of our own. It was a documentary film about infertility, our own path to parenthood, and the making of modern families. None of us in the room knew that in our hearts we were actually pursuing a common goal— expressing our feelings about infertility through art, in order to process our experience, decrease stigma and shame around the disease of infertility, and normalize how different families are created.

Noah and Maya at home during their interview with Elizabeth in December of 2014.

Cut to four years later. Noah and I have an incredible daughter nearing three years-old, and a feature-length film called One More Shot that was recently released on Netflix, iTunes, Amazon, and Vimeo on Demand. And Elizabeth, along with co-director Maria Novotny, has created a brilliant non-profit arts organization to support those struggling to create a family by showcasing artwork done by infertility patients. The exhibits by ART of IF aim to build awareness of infertility and educate the world about it, “portraying the realities, pains and joys of living with IF.”

When Elizabeth asked us to show our film at one of the ART of IF exhibits in Seattle, we were thrilled, and it became immediately evident that the collaboration between One More Shot and The ART of Infertility was a perfect match.

The screening in Seattle accompanied the exhibit SEA-ART-HEAL, held at the Seattle Center in April of 2017, and included a Q&A.

Our film was our entry into a world we knew nothing about. It chronicles our journey and explores the complex relational, emotional, physical, financial, medical, and ethical issues that accompany assisted reproduction. It’s a very personal glimpse into what infertility really looks like. In an attempt to find community around the shame and silence surrounding infertility, Noah and I interviewed others who had experienced similar struggles and found alternative ways to construct their families. This allowed us to meet and have in-depth conversations with people who shared what it was like to experience multiple pregnancy losses, let go of a genetic connection to their child, or watch someone else give birth to their child. It was eye opening for us, and also hopeful.  And when each baby-making intervention we tried failed, we knew that somehow, if we were open to all possibilities, and had high enough limits on our credit cards, we’d find a way to be parents.

As a psychotherapist now practicing in the realm of infertility, I can clearly see that this film, in a lot of ways, is our trauma narrative. Producing the film together, while stressful at times, allowed Noah and me to have a different creative focus when we were completely isolated and stranded on Infertility Island. While we couldn’t make a baby, we could make a movie. So we did. And through that we were able to analyze and understand our experiences, create something tangible and visual about it, and connect to this isolated but incredibly powerful and supportive community through a shared narrative. As Noah likes to say, we were able to make lemonade out of some sour-ass lemons. It was cathartic and I believe it also helped us heal our hearts at a time when they were very broken. Now we hope that it can help others heal too.

Our story really is a version of that of so many other people. And by sharing our story through our film, we know we can give a voice to this pain and connect to the hearts of so many people who struggle to make a baby. Sharing through visual story-telling was our medium. The ART of IF displays a variety of other artistic work that allows the viewer to see it from other personal points of view.  And through understanding, there is a sense of connection and hope.

So when Elizabeth asked us to join her and The ART of IF in Salt Lake City, Utah— well, it was a no-brainer. I just have to figure out where to trade in my California girl flip-flops for some snow boots.

A screening of the film One More Shot and panel discussion on using the humanities to cope with infertility will be held at Urban Arts Gallery in Salt Lake City at 6 pm MST on February 15th. This event, an extension of the exhibit, Arches in Perspective: The ART of Infertility in Utah, is free and open to the public. Reserve your space at

Not near Salt Lake City? One More Shot is now available on Netflix, iTunes, Vimeo on Demand, and Amazon. The ART of Infertility will have events in Los Angeles, Michigan, Wisconsin, and Chicago later this year. Check out our full schedule for events near you.  




Infertility Symposium Features Perspectives of Reproductive Loss

A little over six months ago, we were asked by fertility acupuncturist, Steven Mavros, if we’d be interested in doing an exhibit in Philadelphia. Now, we’re under two weeks away from opening night. We’re thrilled with how the infertility community in Philadelphia has come together to make the exhibit, “Cradling Creativity”, and its accompanying programming possible. Today, we share our press release for the event. We hope you’ll join us as we make infertility visible in Philly. 

Contact: Elizabeth Walker                                FOR IMMEDIATE RELEASE
Phone: 517.262.36

Cradling Creativity: The ART of Infertility in Philadelphia Announces Calendar of Events

Infertility Symposium Features Perspectives of Reproductive Loss

Ann Arbor, Mich. – Oct. 23, 2017 – The ART of Infertility, a national arts organization, announces a month-long symposium, Cradling Creativity: The ART of Infertility in Philadelphia at three locations to raise awareness about infertility through art and storytelling during November. The symposium includes a visual art exhibit, Cradling Creativity, a yoga creative writing workshop, a screening of a new documentary film One More Shot, performances of the play, Almost Pregnant by Lisa Grunberger and an academic round table at Temple University. These events will take place at Old City Jewish Arts Center, the Healing Arts Center of Philadelphia, and at Temple University at specified times from Nov. 3 – Dec. 1. Most events are free to the public.

Over 266,000 people in Pennsylvania are living with infertility. In Philadelphia, fertility acupuncturist, Steven Mavros, co-founder of the Healing Arts Center of Philadelphia, works to help many diagnosed with the disease. “I’ve walked along this path with my patients a thousand times, both in my office and in reproductive medicine clinics. It can be such a lonely, silent struggle and this artwork can bridge the gap between medicine and culture and create that dialogue that’s been missing both among my patients and with their friends and family.”

In her research Dr. Alice Domar, Executive Director of the Domar Center for Mind/Body Health, has found the stress of infertility is equal to that of the stress of dealing with cancer. However, those with infertility often suffer in silence.

“Infertility is a lonely, isolating experience. The ART of Infertility is communal and social – and for this reason it is extremely healing.  The ART of Infertility allows infertile individuals to transform their complex emotions into something that can be seen and shared – and this is always a radical thing, to translate suffering into something beautiful,” said Lisa Grunberger, an infertile patient, artist, and Temple University professor featured throughout the symposium.

Cradling Creativity: The Art of Infertility in Philadelphia Calendar.

The public is invited to attend all events.

The ART of Infertility Exhibit: Nov. 3 – Nov. 28 – The exhibit will premiere during First Friday from 5:00 pm to 9:00 pm. Old City Jewish Arts Center, 6:00 – 9:00 pm.  November 4 – Opening reception with The ART of Infertility’s Elizabeth Walker and Maria Novotny, artists, and sponsors. Tickets available at

The Yoga of Writing: A Heart-Opening Workshop: Nov. 5 – Healing Arts Center of Philadelphia, 12:00 pm – 2:00 pm. Tickets available at

Theatrical Performances: Almost Pregnant: Nov. 11, 15, and 25 –  In Lisa Grunberger’s play Almost Pregnant you will meet Becca, a 40 something woman who has to creatively adapt to her condition of infertility.  Joined by her alter egos, Estrogen and Lucky, two live puppets, who serve as the chorus, wise fools, and comic relief, the play is full of stories, tragic and funny, about motherhood, fate, the transmission of identity, nature vs. nurture and God.   Almost Pregnant gives you an unexpurgated insider’s view of the art and science of, what’s been called, “sex without reproduction and reproduction without sex.” The play will run on November 11, 15, and 25th from 8:00 – 10:00 pm at the Old City Jewish Arts Center. Each performance will be followed by a Q&A with the playwright, director, and cast. Almost Pregnant is written by Lisa Grunberger, directed by Hamutal Posklinsky, and stars Claire Golden Drake, Kellie Cooper, and Marc C. Johnson. Tickets available at

Film Screening: One More Shot: Nov. 18 – Private screening and Skype Q&A session of the film, One More Shot, from 8:00 pm – 11:00 pm at Old City Jewish Arts Center. Created by Noah Moskin and Maya Grobel Moskin, One More Shot follows the struggles they encountered when trying to have a baby. The Moskins explain, “Though we are both in our early 30’s and in good health, we have had to begin a quest to build our family through alternative means and medical intervention as we try to find our own personal answer to the age-old question ‘Where do babies come from?” Tickets available at The film will also be available on online outlets on November 4th and pre-order for iTunes begins October 25.

Barren Conceptions: December 1 – Barren Conceptions: Pondering Intersections of Religion, Medicine & IF, Temple University 10:00 am – 12:00 pm. What role ought religion and medicine — the clergy and doctors in particular – play in helping women make informed decisions about having babies? How are future OB-GYNs being trained in medical schools today to become more knowledgeable about infertility and to ask women difficult questions about family planning? Please join us for this informal reflection of these and other critical questions. This event is free and open to the public.  Tickets are available at

Sponsors for the Symposium are the Healing Arts Center of Philadelphia, RMA of Philadelphia, Main Line Fertility, Society Hill Reproductive Medicine, Embryo Options, Reproductive Associates of Delaware, Abington Reproductive, and the film One More Shot. Community Partners of the exhibit are Baby Quest Foundation, Yesh Tikva, Hasidah, Fertility for Colored Girls, and the Waiting for Babies Podcast.

 About The ART of Infertility

The ART of Infertility is a national arts organization. Founded in 2014, we curate innovative and emotionally provoking art exhibits to portray the realities, pains and joys of living with IF. We also design engaging curriculums to host art and writing workshops. We plan educational, outreach events. We advocate for infertility rights. Most of all, we provide support for those living in the shadows of infertility. Through art, we break the silence around reproductive grief and push back against common misconceptions. We invite you to join us in our fight to make infertility visible. To learn more, visit


Six Secret Confessions of an Infertile

by Elizabeth Walker

A couple of weeks ago, my husband, Scott, and I were interviewed by Steven Mavros of Waiting for Babies. It was a sort of pre-interview for the launch party and live taping that Maria and I will do in Philadelphia next week. (If you’re in the area, please join Maria and me in Philadelphia on August 9th for the Waiting for Babies launch party. Tickets are only $8 and include hors d’oeuvres and an open bar!)

It was the first time the two of us have been interviewed together and it was really valuable to share our story as a couple and reflect on everything we’ve been through over the past 8.5 years. I feel like we both gained more insight on how infertility affected us both individually and as a family.

It also got me thinking about all the crazy thoughts I’ve had along the way.  At the risk of sounding like infertility made me completely lose my mind, I’m sharing some secret confessions with you today. I figured I’m not alone in having some crazy or embarrassing thoughts while dealing with infertility. Maybe hearing mine will help you realize you’re not alone :).

NUMBER 1. I fantasize about finding a baby in the bushes or in the manger of a nativity scene during the month of December. I once read about a man who found a baby in the subway and eventually got to adopt it. If it happened to him, why can’t it happen to me?

NUMBER 2. I have felt extreme jealousy about the ability of Sea Monkeys to procreate. We had an aquarium of them when my nieces lived with us and there were new babies every single day. Why is it so easy for them, and so hard for me?

NUMBER 3. Likewise, when two tomato seedlings started sprouting in a dishcloth in my kitchen, I was first protective of them and then, several days later, in a fit of rage, destroyed them. Why could my twins not survive in my womb but these two little plants could spring up out of a dishrag?

NUMBER 4. I’m jealous that my friends get to hire babysitters. When I myself was in high school and a babysitter, I would fantasize of one day being the grown up and parent. The one who comes home in a glamorous dress after a night out with her adoring husband and pays the babysitter, asking what they did for fun while we were gone.

NUMBER 5. I seriously have to fight the urge to buy a baby doll every time I find myself in the baby aisle at Toys R Us. I think this also goes back to childhood and nurturing my dolls and dreaming of nurturing my own baby one day. Except that never happened. Now, I see the dolls through the cellophane windows in their boxes and long to take them home with me, knowing that that would truly be crazy and may be dangerously close to being completely unhealthy. Still, I’m tempted.

NUMBER 6. Recently, when I was walking my dog, I saw a neighbor walking down the sidewalk holding a newborn. For just a moment, I considered asking him if he’d trade me his baby for my dog.

What are your secret confessions as an infertile?

What IF?

Today, we’re sharing another piece from SEA-ART-HEAL: The ART of Infertility in Seattle. A huge thanks to Barrie Arliss and Dan Lane for submitting this piece and allowing us to keep it for our permanent collection! #artheals

What IF?
Barrie Arliss (with Dan Lane as illustrator)
graphic novel

A page from “What IF” – A graphic novel by Barrie Arliss, illustrated by Dan Lane.

1.5 years of every hippie method possible, I successfully got pregnant with one IUI. He’s perfect, and now almost 4 years old. We thought trying for a sibling would be as easy as doing that IUI…and we were wrong. I’ve heard so many stories from friends or on TV or through doctors how eventually—either with time or the right amount of persistence with treatments, I’d get this magical baby we wanted. But we never did.

2 years, 3 failed IUIs, countless cancelled cycles, 1 retrieval, 1 really horrible allergic reaction, and 3 failed IVFs later all I had at the end was 1 miscarriage. I never thought I would come out of this with nothing. After all the money and hoping and acupuncture and cutting back on running and eating more liver and so on and so forth, I thought that science would win. I hadn’t heard of the stories where people aren’t successful. Where no surprise baby suddenly happens after a year of ending treatments. No one seemed to talk about those. So the next year I did some major self care, and this graphic novel has been my outlet for healing. I may never get over the fact that we don’t have the family we dreamed of, but we’re moving on and creating this book for others who might be going through what we went through is helping.

These two pages of What IF, the graphic novel, depict the first time I had to give myself a shot of hormones for my 1st upcoming transfer. My husband wasn’t around that evening, and I thought I could do it–because I’m strong and independent and all the typical feminist stuff…but there I was, in the kitchen completely frozen with fear. If you can relate, I’m sorry and also, hugs!

Apply for Grant to Join ART of Infertility at Advocacy Day

In May, we’re heading to Advocacy Day for our fourth year. We know that there are many in the infertility community who would also like to attend, but find it difficult when they are already paying out of pocket to try to build their families.

So, this year, we’re offering a grant to allow a first-time attendee from an under-represented state to make the trip to attend this event, hosted by RESOLVE: The National Infertility Association.

You can get all the details below. We hope that those of you eligible will apply, and that everyone will share the word with their online and in real life support groups, their clinics, families, and friends.


  • The grant will cover airfare and ground transportation, lodging, and a stipend for meals.
  • All eligible entries will be considered and staff from RESOLVE: The National Infertility Association will choose the awardee.
  • All information must be submitted by Tuesday, April 4th at 11:59pm EST and the grant recipient will be notified on, or before, April 12th.

Eligibility Requirements:

  • To be eligible, you must live in one of the following locations: Alabama, Arkansas, Georgia, Idaho, Indiana, Iowa, Kansas, Louisiana, Maine,  Mississippi, Montana, Nebraska, Nevada, New Hampshire, New Mexico, North Carolina, North Dakota, Oklahoma, Oregon, Rhode Island, South Carolina, South Dakota, Vermont, West Virginia, Wisconsin, Wyoming.
  • You must also be able to travel to Washington, D.C. on May 16th, 2017 and stay through the evening of May 18th, 2017.
  • Eligibility requires participation in all Advocacy Day activities, including physical assistance with a pop-up exhibit featuring Advocacy Day stories and artwork that will be curated by The ART of Infertility and on display during the welcome reception on Wednesday May 17th.

To Enter:

Please fill out the following form:

About The ART of Infertility:

In March 2014, the first exhibit “The ART of IF: Navigating the Journey of Infertility” debuted at the Ella Sharp Museum in Jackson, MI. Elizabeth Walker curated this exhibit which emerged from her own experiences with infertility. In an effort to make sense of her infertility diagnosis and surround herself with people who understood the difficulties of navigating infertility, she joined an infertility support group and realized the importance of sharing her journey with infertility. She also began creating artwork representing infertility and with others in her infertility support group collected artwork and stories for the Ella Sharp exhibit. Shortly after its exhibition, Maria Novotny met Elizabeth at Advocacy Day, an annual event hosted by RESOLVE: The National Infertility Association, which lobbies Congress on access to care and other issues important to the infertility community. Both being from the state of Michigan, Elizabeth and Maria spent the day lobbying MI congressional representatives.

Spending time together, we shared how infertility was shaping not just our personal lives but professional ones as well. Maria explained that she was studying “rhetorics of infertility” as part of her PhD at Michigan State University. Elizabeth described how she was trying to bring the exhibit to other cities and collect more stories and artwork from around the country. We both shared a desire to become more involved in the infertility community and less concerned with becoming pregnant ourselves. We shared how we were finding our own healing in creative outlets and connecting with other infertile women and men. After the advocacy event, Maria sent Elizabeth some short non-fiction vignettes detailing the everyday struggles of being young, recently married and diagnosed with infertility. In turn, Elizabeth shared mixed media art pieces representing the pain, frustration and isolation of experiencing failed fertility treatments. Through this sharing, we both noted how central creativity was to our healing and, so, we decided to collaborate. Through this collaboration, we developed “The ART of Infertility” the national art, oral history and portraiture traveling exhibit.

Why Advocacy Day:

Advocacy Day holds a special place for The ART of Infertility. It is where Elizabeth and Maria first met and where the project really began to grow. Advocacy Day serves as a reminder of why we travel the world curating exhibits and raising infertility awareness. As two infertile women, however, we understand that affording Advocacy Day can be a challenge. This grant is aimed to provide support for an infertile person who would like to attend but could otherwise not afford to come. It is our hope to inspire another infertile person by granting them the opportunity to join hundreds of passionate women and men fighting for infertility justice.

Click here to learn more about Advocacy Day.

Questions can be directed to:


The ART of Infertility – 2016 Year in Review

Men's Health Month Pop-Up Exhibit at The Turek Clinic, San Francisco

Men’s Health Month Pop-Up Exhibit at The Turek Clinic, San Francisco

A Holiday Thank You

Throughout this year, you supported The ART of Infertility. Perhaps you sponsored an art workshop, invited us to speak at an event, or attended an art exhibition. Whatever the form of your support, we thank you.

We have come a long way since the project began in 2014. Without your collaboration, The ART of Infertility would not be the success that it is today. We are honored to count you as s supporter of the project. As we move into 2017, please know that your desire to raise infertility awareness inspires our work.

Becoming a 501(c)(3) Non-Profit

To support the project’s growth, we are becoming a non-profit organization. We filed our articles of incorporation in June and are working with our attorney to wrap up the rest of our paperwork before the year’s end. We are excited about our soon-to-be non-profit status and invite you to consider The ART of Infertility in your end-of-year donations. 

Your financial support directly impacts the project. It helps us cover storage fees for the collected artwork, transcription of oral histories, and also supplements art workshop supplies. We welcome donations of in-kind services as well. You can make a donation to the ART of IF via our secure Square checkout.

New Artwork

A panel from Infertility is the Worst by Zechmeister-Smith

A panel from Infertility is the Worst by Zechmeister-Smith

We added 17 new pieces of artwork from 4 artists to our permanent collection in 2016. Have artwork you’d like exhibited? Learn how here! Included among these works is the series Infertility is the Worst by Kelly Zechmeister-Smith. Kelly created this piece using micron pen and watercolor paint and says, “This work began with an inexplicable creative urgency to represent my layered feelings surrounding my own unexplained infertility (UI)–a maddening diagnosis.  Creating small, cartoonish self portraits highlighting my daily experiences as a childless artist and teacher quickly became a therapeutic outlet for me.  My hope is that the viewer finds these pieces a playful yet raw glimpse into the life of someone struggling with UI.”

2016 Highlights

Joining Forces for Men’s Health

In June, Men’s Health Month (MHM), we teamed up with The Turek Clinic’s San Francisco office and Men’s Health Network to raise awareness about the unique challenges men face when dealing with infertility, as well as other barriers to men’s health care. We displayed artwork and stories from the project’s collection and attendees were invited to visit make and take art stations. Plans are underway for a MHM event in Los Angeles for 2017. Contact us if you’re interested in collaborating!  View event photos here.

Presenting at ASRM

In October, we visited Utah (one of two new states this year, the other Texas) to present the talk ART of Infertility: Curating Patient Centered Perspectives Via an Artifact Oral History Methodology at the American Society for Reproductive Medicine’sAnnual Scientific Congress. We were excited to be both first time attendees and first time presenters.  It was fantastic to see members of our infertility family from around the nation and make new connections as we attended sessions and visited the expo hall.

ART of IF goes International

In November, the The ART of Infertility went international when we received an invitation to do a pop-up art exhibit for a staff education day for Merck KGaA Darmstadt, Germany (known as EMD Serono in the states). The event, held in Coinsins, Switzerland, also included a presentation during which we shared our own stories and stories from the oral history archive. We also participated in a Q&A for the medical deliverables team, which later continued with lively discussion around the water cooler.

Visit our website to learn about the other places we visited, exhibited, held workshops, and collected stories in 2016.


Presentations, Publications, and Podcasts

Cultural Rhetorics Conference, Michigan State University

Cultural Rhetorics Conference, Michigan State University

– 7  Presentations

– 3 Forthcoming Publications

– 2 Podcasts
      Beat Infertility, January
     Imagine Otherwise, August

Looking Ahead to 2017 and Beyond

– We will continue raising infertility awareness and education with several events across the country that are in the planning stages. Details will soon be announced on our website. 

– We will continue our mission to collect and distribute diverse stories of infertility and the stories of those who use assisted reproductive technology to build their families.

– Due to the popularity of the ART of IF, we are also working on plans for 2018! However, there are still plenty of opportunities to bring the ART of IF to your city for an exhibit, workshop, presentation, or to collect oral histories in both 2017 and 2018. Please reach out to us if you’d like more information.

We look forward to your continued support of the project and encourage you to follow our work on our blog and The ART of Infertility’s social media pages. Wishing you much success in 2017 as we all work to advocate on the behalf of millions impacted by infertility. 

With gratitude, 
Maria and Elizabeth

Interested in sharing your story through The ART of Infertility? Check our website to learn how to participate! 


Giving Tuesday as a Not Quite Non-Profit

We are working with our attorney to finish up the last of our final paperwork for filing as a non-profit. We are excited about what this will mean for the sustainability of The ART of Infertility (ART of IF) and the work we do to educate about the experience of infertility and provide a creative outlet and community of support for those living with it. For those of you new to ART of IF, or who need a refresher, here’s a link where you can learn more about our mission and our team.

A participant works on a memory box at an art workshop in Ann Arbor, MI.

A participant works on a memory box at an art workshop in Ann Arbor, MI.

Our articles of incorporation were filed in June. This means that, considering that our final paperwork is accepted and non-profit status is granted (and we have no reason to believe it won’t be), any donations will be tax-deductible retroactively to the date they were filed. Long story short, you give, it will be a future tax deduction.

However, we have really been struggling with asking a population who has already sacrificed so much, to give more. Many of you have to pay out-of-pocket to even get testing to receive an infertility diagnosis, let alone have an attempt to build your family through treatment or through adoption.

You scrimp and save, give up the large and small luxuries in life, max out credit cards, take out home equity loans, just to have a chance to have what comes so easily and virtually free to most, a child.

So, if you’ve passed the point in your fertility journey where every penny counts, or have access to insurance that keeps your out-of-pocket costs low, then yes, by all means, we could definitely use some cash!


Our current storage space shortly after we moved in. It’s now filled to the brim and we need an upgrade!

Thanks to those of you who have generously shared your artwork and stories with us, we have an urgent need for a bigger storage space for our artwork and art workshop supplies for 2017. Ideally, we’d like a space that also allows us prep area for exhibits and workshops. You can help us by giving to our general fund at this link. Any amount, large or small, is greatly appreciated. Seriously!

If not, we totally understand. Here are some free and low cost ways to contribute to ART of IF to and the work we do to benefit the infertility community.

  1. Ask friends and family you think would be interested in ART of IF to follow us on social media. We’re on Twitter and Instagram @artofif and on Facebook. You can learn how to ask your friends to like our page on Facebook by following these instructions.
  2. Share a favorite blog post from ART of IF on social media.
  3. Send us your infertility artwork, permanently or on loan, so that we can share it through our exhibits, blog, and website. You do not have to be a professional artist. We welcome any form of expression by those of any skill level.
  4. An image from the series, "Infertility is the Worst" by Kelly Zechmeister-Smith

    An image from the series, “Infertility is the Worst” by Kelly Zechmeister-Smith

    Schedule a time to share your story with us via an oral history interview. Interviews can be conducted in person or via phone or Skype.

    Maria conducts an oral history interview during Advocacy Day events in Washington, D.C.

    Maria conducts an oral history interview with project participant, Angela,  during Advocacy Day events in Washington, D.C.

We consider it an honor and a privilege to collect and share your infertility stories through our art exhibits and oral history project. None of what we do would be possible without your participation and we are grateful every day for what the gift of your stories allows us to do. Please help us continue our work by contributing to ART of IF now.

All the best,

Maria Novotny and Elizabeth Walker, Co-Directors of The ART of Infertility

We Are Strong Women

No matter who you voted for, waking up last Wednesday morning morning it was clear: the world has been changed. For Elizabeth and me, this took on particular meaning as we finalized our presentation for Merck KGaA’s As One For employee education day, an event devoted to Merck staff understanding the perspectives of patients using their products.

We made the trip to Switzerland with six suitcases and two backpacks full of art and supplies.

We made the trip to Switzerland with six suitcases and two backpacks full of art and supplies.

Sitting in our Coinsins, Switzerland L’Auberge Salon (aka – our small but quaint hotel room) – we decided to devote this presentation to all the infertile women who have had to struggle to fight for their dreams, fight for their passions, fight for a child. In honor of all of you who have graciously shared either your time, resources or both to The ART of Infertility – we dedicate this to you – the infertile but ever strong woman.

Here is a bit about our own personal stories and how we have found strength in our infertility.


Elizabeth’s Story.

My husband Scott and I met on New Year’s Eve 1999, married in May of 2004, and five years later, decided to add to our family by having a baby.

I went off the birth control pill in March of 2009 and started charting my cycles. My chart was a mess. Definitely not what you want your chart to look like while trying to conceive. By fall, my chart was looking better but I was finding that the time between ovulating and starting my period wasn’t long enough to be optimal for implantation and to sustain a pregnancy.

My first chart off birth control.

My first chart off birth control.

Right around that time, Scott’s sister, Shelley, got sick. She was the recently divorced mom of three little girls. The girls began spending Shelley’s custody days with us. Suddenly we were thrown in to sleepovers, play dates, homework, and bath time. We were the ones to tuck them in at night, soothe them when they woke up from nightmares, and nurse them back to health when they were sick. The circumstances were terrible, but having them living with us was one of the very best experiences of my life. Sadly, Shelley died in January of 2010.

That March, their dad moved them to Minnesota. With the girls nearly 600 miles away, we were devastated. This was made even worse by the fact that it had been over a year since we started trying to conceive and we were officially dealing with infertility. I wondered if the time that the girls lived with us would be the only time we’d ever parent. We needed to see a doctor to get started with testing and treatment but took some time to heal first. Well meaning friends and family, not knowing we were trying to conceive and unsuccessful, suggested that having a child of our own might help us heal. While we wanted a baby, it was no replacement for the precious nieces that we were longing for.

By the end of the year, we were ready. At Thanksgiving, I was headed to testing and my sister she announced she was pregnant her second month of trying to conceive. We spent Christmas of 2010 with the girls in a hotel in Minneapolis. The entire trip, I was receiving test results and scheduling more appointments.

Between the end of 2010 and the end of 2012, I was diagnosed with Luteal Phase Defect, Endometriosis, and Diminished Ovarian Reserve. We endured five rounds of oral meds with timed intercourse, four intra-uterine inseminations with oral and injectable drugs, I had a diagnostic laparoscopy, and I joined a RESOLVE: The National Infertility Association support group and then became the group’s host.

What I personally found hardest about infertility was being stuck in limbo as my friends and family had children, all the decisions that infertility forces you to make, and the fact that it’s an invisible disease. In order to make my infertility visible, I started creating artwork.


The first piece of artwork I made during my IF journey.

The first piece created out of my infertility journey, made while on medical leave after an exploratory laparoscopy to remove polyps and endometriosis.

I learned that others were also using artwork to deal with infertility and in fall of 2012, pitched an “infertility art exhibit” to the Ella Sharp Museum in Jackson, Michigan, where I live. The exhibit would provide educational info on infertility, display the environmental portraits, artwork and stories of those living with infertility, and offer an art workshop.  They said yes.

Early 2013 brought our one and only IVF cycle. My retrieval led to complications (internal bleeding and ovarian torsion) for which I needed emergency surgery. After I recovered, we transferred two of our three resulting grade 5AA blastocysts. I got pregnant, but miscarried twins early on. This all happened between the middle of February and June 1st and I needed a break after all we’d been through.

I spent the rest of the year working on the exhibit, compiling facts, making artwork, and photographing exhibit participants. I wanted to show them participating in activities other than infertility that defined them.

What I personally found hardest about infertility was being stuck in limbo as my friends and family had children, all the decisions that infertility forces you to make, and the fact that it’s an invisible disease. In order to make my infertility visible, I started creating artwork.

In February of 2014, we transferred our last embryo and I didn’t get pregnant. My husband and I had reached the end of our journey in attempting to have children that are genetically ours. We needed time to grieve and regroup with the idea that we may eventually move on to living child free or adopting from foster care. Two and a half years later, we’re still working on healing from all we dealt with. We need a bit more time to come to terms with what we’ve been through, and rebuild our relationship. However, I am starting to feel the pressure of time and the need to make a decision about how we will resolve our infertility. We are still considering living child free, especially since we have such a close relationship with the nieces we parented for a time. We are also considering using donor embryo, an option that I started considering after hearing the story of Noah and Maya, who I interviewed for the project.

In March of 2014, The ART of IF: Navigating the Journey of Infertility opened at the Ella Sharp Museum. Along with raising awareness about infertility through the art exhibit, I began lobbying for infertility legislation on Capitol Hill with my first trip to Advocacy Day in D.C. that May, where I met Maria Novotny.

Maria’s Story.

This is where my infertility story begins – at yes, believe it or not, the age of 15. I met Kevin, my now husband, at this age. Throughout high school and college, Kevin and I dated on and off. Ultimately, upon graduation we decided to get married. Both of us came from big families. In fact, my family was so large that my parents actually had my brother when I was 18. So the idea of being infertile NEVER crossed my mind. In fact, I was often warned that I would be “too” fertile. This was a joke at the time, but now is all too ironic.

Kevin and Maria with family on their wedding day.

Kevin and Maria with family on their wedding day.

After marrying at the age of 23, we moved to MI for Kevin’s job and bought a house. Soon we began nesting, adopting dogs and shortly after decided to “try”….

Months passed and nothing. No success. A year passed. And we knew something was wrong. I booked an appointment with my OB/GYN. Tests came back and it was suggested we go to our local fertility center.

We attended a consultation and left feeling completely overwhelmed. We were 24 and grappling not only with the numerous options available as well as financial cost – but also with the fact that we were trying to understand our new infertile identity. We felt paralyzed. We were living in a new state. We had no family near us. And we had few close friends. So, we decided to look for support…

But couldn’t find anything. Desperate just to meet someone else who was infertile, we turned to the internet and “came out” with our infertility. We shared our story on our local city’s newspaper and asked others if they too needed support. Slowly but surely, we began to connect with others looking for a safe space to deal with issues in a city that was rated by Forbes Magazine as “the #1 place to raise a family.”


At this time, I found myself needing to document my infertility journey. I felt a deep desire to capture the complex and confusing feelings that I was experiencing. So I began to write. Doing so, I wrote several pieces. One of which is titled The House, a piece now in The ART of Infertility which reflects on the house my husband and I bought prior to learning about our infertility.

As I began to do more creative writing pieces, I felt an increasing connection to return to school. As a college student, I majored in English. Learning how writing could help with emotional and physical healing, I started a Master’s program focused on writing and the teaching of writing. Graduate school became a place where I could escape the pressures of not conceiving, of not becoming a mom.

We attended a consultation and left feeling completely overwhelmed. We were 24 and grappling not only with the numerous options available as well as financial cost – but also with the fact that we were trying to understand our new infertile identity. We felt paralyzed. We were living in a new state. We had no family near us. And we had little to few close friends. So, we decided to look for support…

Today, I am in the last year of my schooling – finishing my PhD in an area that I call “rhetorics of infertility” which explores how writing and art are composition practices communicating the challenges women and men face when diagnosed with infertility.

And so, while I currently am not in treatment, nor am I pregnant – I still am very much in limbo. Very much in a place of not knowing what my next move should be. I am 30 now. I have lived the past 6 years knowing that I am infertile. But the need to make a decision about what to do next is so overwhelming that I am secretly hoping it will work itself out, that my husband and I won’t have to make a decision. This hope is what we call “limbo” – the not knowing of infertility and the sheer exhaustion that comes with its disease.


While we both have decisions to make about further growing our families, through ART of IF, Elizabeth and I have found more happiness, and peace than either of us has had in years. The connections that we have made with other infertile individuals and families, the work that we do in helping them along their journeys, and the awareness about the patient experience that we are able to raise, has given us fulfillment. For both of us, this project turned organization has become the baby that neither one of us could have.

We shared these stories with Merck employees, followed by a Q & A. Upon doing so, our co-presenter, a fertility specialist in the UK, concluded the session. She reminded all of us that while infertility can be difficult to learn about – both in terms of its sadness and depressing nature – we need to remember that infertility can make those dealing with it stronger. She spoke to the fact that The ART of Infertility is a testament to this. That when women face adversity, they can create beautiful things. We – the infertile – are strong (and powerful) women. We were very touched by her words and the important reminder that is especially relevant in this post-election time that we are now living. Let us not forget that our challenges have the potential to make us stronger and, through the lives we live and the work we do, we have the ability to make a positive impact on our own lives and the lives of those around us.

How have you found strength in your infertility journey? We would love for you to share it with us.

After traveling all night, we arrive at Merck to drop off the exhibit supplies.

After traveling all night, we arrive at Merck to drop off the exhibit supplies.




The Intern’s Perspective


Hello all, you don’t know me but I hope by the end of the year you will. My name is Jalen Smith, I will be working with Maria and Elizabeth this year as their Social Media and Communication Intern for The ART of Infertility. I am currently an undergraduate senior studying journalism at Michigan State University in East Lansing, Michigan where I will graduate in May 2017. I come into this internship with a vast array of experience in communication/writing related positions. Here at MSU, I have worked with various campus media outlets including VOICE Magazine as their Vice President and Content Editor and The Black Sheep where I work currently as a Staff Writer. In addition to my experience in the media, I am also a member of the living learning community RISE (Residential Initiative on the Study of the Environment) program where I served as a peer mentor and working towards a minor in Environmental and Sustainability Studies in addition to my major. I am originally from Detroit, Michigan where I attended the award winning Cass Technical High School and served as a Public Affairs/Communication Officer for their Junior ROTC program

Enough about me though, I am super excited to be working with the project this year. This past weekend, I had my very first opportunity to see some of the artwork in person and truly get a feel of what this organization’s message is. The event took place at REACH Art Studio in Lansing, Michigan about a 10 minute drive from East Lansing. At first glance, the artwork was a lot to take in, I needed a moment of retreat to take in the context of the art I was seeing.

One of the many new pieces on display from Art of Infertility at the exhibit.

One of the many new pieces on display from Art of Infertility at the exhibit.

Having said that, the art was engaging, it was powerful and it was compelling. I particularly enjoyed certain key pieces that included Elizabeth’s own piece titled, “Crib with Medication Boxes.” It really spoke to me, the amount of trial and tribulations this disease has caused so many. It made me think about the families, the mothers, the fathers, that were heartbroken, made to feel “less than” because of their inability to conceive. It made me think about some of the small things in life some of us take for granted. “What comes easy for some does not come easy for others.”  A lesson in the realities of infertility for millions across this nation and quite frankly, across this planet was a hard pill to swallow. The art exhibit also had lots of other interesting pieces from many other artists and had a thought provoking outlook in the sector of cultural rhetorics.

Elizabeth Walker's piece titled, "Crib with Medication Boxes" Was one of the many featured in the show from Art of Infertility.

Elizabeth Walker’s piece titled, “Crib with Medication Boxes” Was one of the many featured in the show from ART of Infertility.

The concepts in which these rhetorics exist for me is still a confusing concept to grasp luckily Maria will be able to coach me through them this year. There are several different themes associated with the rhetorics of this event. For the Art of Infertility most of the artwork exist in three of those categories: activism, body, and unity. Activism is something that for me stands out as a core theme of this organization. The ability to spread awareness, start conversation and engage and bring together people of different backgrounds to discuss an issue that has long lasting physical, mental and emotional trauma. I’m so thankful that I have been given the opportunity to work with this team this year. To help create engaging content that will allow the voices of the voiceless to be heard. Looking forward to an academic year of purpose! Until next time! Hello again!

Maria Novotny and I discussing other artist's pieces during our visit to REACH Art Studio.

Maria Novotny and me discussing other artist’s pieces during our visit to REACH Studio Art Center.